Architect reveals his ideas to revitalise 17-century Bridgnorth building
Plans to bring new life to one of Bridgnorth's oldest buildings are set to go ahead later this year.
And the architect behind the scheme for Bishop Percy's House today explained how he planned to turn the 17th Century listed building into a tea room, museum and six holiday lets.
Matt Spinks, who works at Bridgnorth-based Johnson Design Partnership, said it was a "painstaking project" that would take around six months to complete.
The house, once home to George III's Royal Chaplain, was bought for £275,000 in March last year by property developer, Maria Allen.
It has been empty since 2003 after several failed renovation attempts.
Mr Spinks, who is marking 10 years in the business by taking on the project, said: "There are two sides to this, one of which is the historical grade I listed building and the extension to the rear of the property, which will be a new build.
"The skill will be how the new complements the old.
"We cannot copy the old structure because the different building techniques would mean it wouldn't work.
"It would just look like a bad copy but we've worked closely with English Heritage and the conservation officer to make sure it works."
Mr Spinks said Bishop Percy's was originally used for flats and apartments and the new owner was keen to bring back that element during the refurbishment.
The tea rooms will also include a section dedicated to the house's historic past, where visitors can see old books and photos.
"A modern kitchen will be installed as part of the plans, but it will be built in such a way that it can be completely removed without damaging the structure should be the property ever be sold on," he said.
"The windows and doors will be refurbished as necessary and a specialist will be brought in to carry out the work.
"The back section is a bit more flexible because it was built in the Victorian times and is not as protected.
"The design process in general has been the most complicated part because we've had to come up with designs, hold meetings with English Heritage and the council, adapt those design, go back to the client and then start the process all over again.
"This is has happened four times but it's all been necessary to ensure everyone will like to the finished piece."
