Shropshire Star

Soul II Soul head to Birmingham

We’re from the days when a number 14 bus and a supermarket trolley got us around.” Jazzie B remembers the lengths he and a school friend used to go to play dances with their first sound system when they were just 13 years old. It sums up the determination, resourcefulness and love for music that got Soul II Soul where it is today.

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Soul II Soul head to Birmingham

Their first North London sound system, Jah Rico, played mainly reggae, but after three years changed the vibe to more soul and funk and Soul II Soul was born. “We came up with the name not just because of the music we played, it also stood for Daddae and myself – two souls moving together. We’ve always had that kind of relationship – there are not many words exchanged between us, but everything that’s happened has been very much in tandem.”

Soul II Soul quickly achieved a name in their community, but were in no position to give up the day jobs, and at age 18 Jazzie was working for Cockney pop legend Tommy Steele as a tape operator. He found himself one of the few black people working in London’s recording studio and recalls how that shaped his attitude: “It made me vexed in one way, but it made me see that there were parts of the industry that we’re not taking care of because we always want to be so upfront.” As Soul II Soul grew, Jazzie was determined to create a dancefloor environment that would appeal across the board.

Soul II Soul’s dances had been reflecting what was occurring naturally in London; kids of all races had grown up together and were now raving together.

Nothing summed them and their crowd up better than their regular Sunday night spot at the now legendary Africa Centre in London’s Covent Garden. That was truly the Soul II Soul experience, which, unlike other sound systems on the same circuit, wasn’t just about the big name DJs, it was about a vibe. Jazzie remembers it being unique: “You had people from all walks of life at the Africa Centre. A very eclectic crowd. It was like Benetton down there!”

The Africa Centre was a game changer for Soul II Soul; for British black music; and for the nation’s youth culture in general. It caught the attention of Virgin Records, who signed them as an act in 1988, catapulting them into a tornado of success.

There were the resident club nights all over the world; live concert tours; radio and TV appearances; Jazzie had his own show on London’s Kiss FM and there was even an Adventures of the Funki Dreds comic book. And, of course, Soul II Soul enjoyed the type of chart success – notably with Keep On Movin’ and Back To Life – that made them household names all over the world. Their landmark album, Club Classics Vol I, is now 30-years-old and Jazzie and co are on the road to play the record, stopping off at Birmingham Town Hall tonight.

To date Soul II Soul have sold more than 10 million albums in 35 countries. They’ve performed in more than 20 countries and appeared at some of the most famous venues in the world including Wembley and New York’s Universal Ample Theatre. America embraced Soul II Soul to such a degree, in 1990 they picked up two Grammy’s. Jazzie was given the keys to seven cities in the US, including LA and New York.