Shropshire Star

Picasso paintings and sculptures going on display at Tate Modern

The exhibition will focus on artwork from the year 1932.

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A woman looking at Pablo Picasso’s The Three Dancers, 1925 (Yui Mok/PA)

Picasso’s “sexually charged” nudes are the highlights of a new show at Tate Modern.

The paintings depict the then-married artist’s much younger lover, Marie-Therese Walter, who was 28 years his junior.

The exhibition, focusing on his work from the year 1932, opens as a painting of Picasso’s mistress sold recently for nearly £50 million – the highest auction price for any painting sold in Europe in pounds.

Picasso and Walter’s granddaughter, Diana Widmaier-Picasso, who was at the exhibition, said that she was “surprised, happy and astonished” by the focus on Walter in recent years.

A woman looking at Pablo Picasso’s The Dream, 1932, (Yui Mok/PA)
A woman looking at Pablo Picasso’s The Dream, 1932 (Yui Mok/PA)

Star pieces in the Tate Modern show include The Dream, Nude In A Black Armchair and Nude, Green Leaves And Bust.

Widmaier-Picasso dismissed any notion that Picasso objectified women.

“It’s a respect that he pays to women,” she said.

“This traditional idea of Picasso being kind of a monster has been slightly modified.

“We understand now that he’s using them as a force to move forward… to explore a different medium, including sculpture, print, painting and drawing.”

A woman looking at Pablo Picasso’s Girl before a Mirror, 1932 (Yui Mok/PA)
A woman looking at Pablo Picasso’s Girl Before A Mirror, 1932 (Yui Mok/PA)

Picasso spotted Walter when she was 17.

“A few years earlier he had started drawing a woman who was exactly like her, it was like a self-fulfilling prophecy,” Widmaier-Picasso said.

“He met her and says: ‘You have a very interesting face’. And she did. There was a physical presence, but also something inside her.

“He says: ‘I’m Picasso, an artist, and I’d like to do your portrait.”

She said of the focus on 1932 in the Tate Modern show: “It’s the eve of the Second World War. It’s the eve of a lot of terrible disasters in the world, which is something important to his work.

“Sadly, today we have a similar situation and I think a lot of artists are sensitive to that.”

The EY Exhibition: Picasso 1932 – Love, Fame, Tragedy, runs from March 8 to September 9 at Tate Modern.

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